Thinkin’ about what a friend had said
So, with “After the gold rush” the ever-changing nature of Neil’s is on display. It’s a journey with Neil. If Bowie was like a chameleon adapting to the new trends quickly, Neil is like a volcano, sometimes calm and soothing (acoustic and country), sometimes violent and loud (the Godfather of grunge).
Continue reading “Neil Young – After the goldrush (1970)”
Let me be your country man
This album is very similar to the recently reviewed “Sugar Mountain – Live at Canterbury House 1968”. Three months later, in February 1969, Neil played solo at the Riverboat coffee house in Toronto. Neil is very talkative and seems to be in a great mode. He has some fun anecdotes from his life. I get the feeling he is more relaxed or more at ease with the venue or perhaps, the audience. I love some of the banter with the audience and when he talks to Bruce Palmer.
Continue reading “Neil Young – Live at the Riverboat 1969 (2009)”
The Indian in the corner trying on his clothes
Now some live music. Neil Young alone on stage at the Canterbury House in Ann Arbor, Michigan in November 1968. This was of course before the release of his first solo album which was released in January 1969.
Continue reading “Neil Young – Sugar Mountain – Live at the Canterbury House 1968 (2008)”
Has your band begun to rust?
This is such a great record. Neil’s second album after leaving Stephen Stills and the rest of the guys in Buffalo Springfield is also the first with Crazy Horse. This is of course the original line-up with Danny Whitten on rhythm guitar, Billy Talbot on the bass and the sluggish Ralph Molina on the drums. After the problems with the mixing of the first album, Neil changed how he recorded. Now it is “live in the studio” and only a few pieces added on later such as backing vocals. This is something he has done ever since. It’s a great decision and it is so typical Neil. I love him for it.
Continue reading “Neil Young – Everybody knows this is nowhere (1969)”
Sigh like Twig the Wonder Kid
I was going to listen to the album for the first time in many moons. I put it on and a few seconds into the first song “Watch that man” I got goose bumps running up my arms. I was flung back through time to my childhood’s summers out on the island Tjörn on the Swedish west coast. I was walking on the narrow sloping path through the gnarly pine trees towards the warm cliffs down at the waterline for yet another dip in the salty ocean. Sverker, Lottie, Ulrika and Marika were not far behind. It was the best of times. “Aladdin Sane” was played over and over again on the TDK AD cassette tape. On the flip side I had “Diamond Dogs” but we loved “Aladdin Sane” the most…
Continue reading “David Bowie – Aladdin Sane (1973)”
We move like tigers on vaseline
Ziggy played guitar, jamming good… “Ziggy Stardust” is an iconic album. It’s one of the best glam-rock albums ever and it’s on the short list for my albums that I have listened to the most in my life. It is filled with great songs, almost no weak points all through. All that said, I am still a little bit conflicted over exactly how great it is…
Continue reading “David Bowie – The rise and fall of Ziggy Stardust and the Spiders from Mars (1972)”
Immune to your consultations
My relationship with “Honky dory” is a strange one. Back when I started collecting vinyl records, in my first vinyl era, I didn’t have the means or tools to buy all albums at once. A big part of the thing was to actually not be able to find all the albums right away. We went to the one record shop there was in Skövde. Then we went to record fairs in Gothenburg and Hova. Browsing bins of vinyls was the happy times. And the album I always seemed to miss out on and longed for was “Hunky dory”.
Continue reading “David Bowie – Hunky dory (1971)”