The crazy diamond shone
I find it funny that there seems to be so much prestige in which incarnation of Floyd we fans love the most. Many pretentious fans love Syd’s Floyd but that is not me. Of course, I came in late, in the early eighties, and I have always enjoyed David’s singing and his heavenly guitar playing. I guess if you were there at the time, in the middle of the sixties, and followed the band when it started it would have been something else. Syd was the musical and artistic leader of the band back then. Already during the development of the second album they transformed into a five-piece and then to a quartet again, now with less Syd but a Dave added. Syd burnt out like in the song by Neil Young.
Continue reading “Pink Floyd – The piper of the gates of dawn (1967)”
Dear Record Company man
How many releases from the “Space oddity” demos era can there be? This is getting absurd!
The Bowie estate has run amok with this. During 2019, celebrating 50 years since these recordings, they have released three super expensive vinyl things and one slightly less expensive 5-CD box. There has been a 4-vinyl singles box, a 3-vinyl singles box and one vinyl LP box with fancy packaging. I don’t care for singles, it is only a mess to change the speed on the turntable, and I thought the “The ‘Mercury’ demos” box was way too expensive. But I also have this OCD, I am a compulsive collector, and in the end, I needed to have it.
Continue reading “David Bowie – The ‘Mercury’ demos (2019)”
The nice jacket
The Bowie estate is releasing a lot of concerts nowadays, six live albums since the beginning of 2017! It’s great and I love it. Hard for my bank account, but good stuff for my vinyl collection on the shelves. Glastonbury 2000 was released last November. It’s taken from a short summer tour David did in 2000. I was looking forward to this live show from June 25th as I love the BBC show recorded two days later, on the 27th, that was released on the special edition CD of the “Bowie at the Beeb”.
This was Bowie’s first return to the Glastonbury Festival since 1971, as told by Bowie from the stage. Bowie seems to have been in a really good mood and the band is great. The double LP contains 22 tracks. The older songs are stronger than the newest ones, but that is no surprise, I guess.
Continue reading “David Bowie – Glastonbury 2000 (2018)”
“The Joel Bernstein tapes” redux
Bootlegs have always been a big part of my love for Neil. He has always been good at playing songs in different versions. It may be with different bands, in different genres or moods, performed acoustic or electric and so on. One of the holy grails of Neil boots was “The Joel Bernstein Tapes”. It was a private tape of favourite performances of the acoustic solo parts of The Neil Young and Crazy Horse tour late 1976 recorded from the mixing desk by sound technician Joel Bernstein.
In his Archives Performance Series these old live shows are released in chaotic order. It is a joy to be still alive to be able to experience all these releases. I love it and I give Neil two thumbs up for his generosity. And “Songs for Judy” is one of the better.
Continue reading “Neil Young – Songs for Judy (2018)”
“Time fades away” redux
In October 1973 Neil Young released the live album “Time fades away”. It was the follow up to the smash hit album “Harvest” from the year before. But as always with Neil he did not pick the easy path and followed “Harvest” up with a similar album. Instead he offered a live album with eight unreleased songs. They were premiered during the Neil Young and the Stray Gators tour following “Harvest”. I have always found “Time fades away” a curiosity more than great. Yeah man, I love it but the songs are somewhat abrasive. Now Neil has released another live-album from the same tour.
Continue reading “Neil Young – Tuscaloosa (2019)”
Waiting for Ragged Glory
This is a way too early album review of Neil’s new album “Colorado”.
Earlier this year news came from Neil Young’s excellent web site that he was going to re-release and expand the 1990 album “Ragged glory” including 40 minutes of unreleased material. A double LP of studio material from the session that brought us one of Neil’s very best albums. I was ecstatic. But we seasoned fans of Neil Young are used to waiting and thus, we are still waiting.
Continue reading “Neil Young – Colorado (2019)”
Poison in the tail
Opeth continue to surprise and amaze me. The new album is yet another step in their evolution. It is not the first step, but it is a step. This album brings some new stuff to the table. It is like a rock opera from the deep dark wilderness in Sweden. It’s progressive rock with influences of folk, classical, jazz, Gregorian chants and even a fragment of country music like an audio mosaic. When you immerse yourself in the music without listening to the lyrics you get a feeling of a story about children in a dark world with trolls and evil, and an absent god.
Continue reading “Opeth – In Cauda Venenum (2019)”