David Bowie – Tonight (1984)

Believing the strangest things

Me and my buddy Mr. Magic did a very small Swedish speaking podcast two years ago where we discussed Bowie’s albums. In the very last episode we ranked Bowie’s all albums from 28 up to number One. The bottom five in my list was a dog fight between “Tonight” and the two Tin Machine albums, “Pin ups” and the first album “David Bowie” from 1967.

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The Alarm – Declaration (1984)

Welch early eighties rock phenomena discovered in an old record bin

Back in the eighties I listened alot to the Welch band The Alarm. Today, listening to their first full-length album was like a stroll down memory lane.

In January 1986 me and my sister took my car and drove down to Gothenburg and saw them live at Konserhuset. I remember I had the flu but we didn’t want to miss the concert and it was great! I was on my last legs on the two hours drive back home in the middle of the night, but the adrenaline from the show kept me upright.

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The Waterboys – A pagan place (1984)

Something so pure

I discovered The Waterboys during my Uppsala years in the end of the eighties. They had already moved into folk music with their “Fisherman’s blues” but I happily delved into the three first albums as well. The early years Mike Scott and his band of players did their own variant of post-punk pop-folk-rock. Highly enjoyable. 

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Marillion – Real to reel (1984)

Third time’s the charm

Marillion is one of my favourite bands all time. They are one of those bands that are great live. Even though the studio albums have high production value they still add energy and interesting stuff to the songs when they perform them live. Not all artists I follow are successful in doing that.

The first time I didn’t see Marillion live was at Frölundaborg in Gothenburg, October 12th, 1985. My friend saw them there but he didn’t call me. I lived in a small town a long way away and I think my friend actually got invited to the concert by some other friends so maybe it was not that strange that he didn’t call...

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Simple Minds – Sparkle in the rain (1984)

Some say we’ll be together a very long time

Well, no actually. This is the start of the decline of the great early eighties band Simple Minds. Unfortunately they started to get more and more boring, frankly speaking. From post-punk new wave to stadium rock. Boring. They may have been more successful, but to my ears they declined over the next albums and I lost track of them.

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Alphaville – Forever young (1984)

Time becomes an illusion 

Alphaville’s debut album “Forever young” is a fantastic late discovery of mine. I knew of the famous songs when I grew up but I was not into synth-music at that time. Alphaville like Soft cell, Depeche Mode and Howard Jones were bands I heard on the radio and at the occasional high school dance in my small home town, but I didn’t listen to their LPs back then. This is now rectified.

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The Cure – The top (1984)

Please come back, all of you

Back in 1984 whilst in high school, I found new friends. It brought happier times and life long friends, but also an inflow of new musical influences. The Cure was one of the bands I discovered via Per and Anders and the other guys in the pack I started to run with.

I immediately fell in love with The Cure and hastily checked out their back catalogue. The new album was “The top”. It was not my favourite. After the stellar debut album they followed it up with three dark and really depressing albums, it was glorious, it was depp-rock. I still love that trio; “Seventeen seconds”, “Faith” and “Pornography”. After an off year that only produced a mini-album heavily influenced by New Order they came out with this bridge album before another impressive run of four albums beginning with “The head on the door”.

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Marillion – Fugazi (1984)

Where are the poets?

Absurdly enough I sold most of my vinyls in the early 90’s. I left my player at my parents house and switched to CDs. Ahh, these ugly small plastic discs with those silly small booklets. My old vinyl collection… Where did you go? How I regret it.

Luckily most of my favourite bands and artists have re-issued their discographies in very nice, however expensive, editions. For Marillion it is even better. They have by now released three out of four studio albums in very attractive vinyl boxes. Only Fugazi remain to be treated with such a nice thing. Restless I couldn’t wait, so I have bought the 2012 re-issue on 180 gram vinyl. The album is stellar, the sound quality is mostly really good, the cover is wonderful. 

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