Dear Record Company man
How many releases from the “Space oddity” demos era can there be? This is getting absurd!
The Bowie estate has run amok with this. During 2019, celebrating 50 years since these recordings, they have released three super expensive vinyl things and one slightly less expensive 5-CD box. There has been a 4-vinyl singles box, a 3-vinyl singles box and one vinyl LP box with fancy packaging. I don’t care for singles, it is only a mess to change the speed on the turntable, and I thought the “The ‘Mercury’ demos” box was way too expensive. But I also have this OCD, I am a compulsive collector, and in the end, I needed to have it.
Continue reading “David Bowie – The ‘Mercury’ demos (2019)”
“Time fades away” redux
In October 1973 Neil Young released the live album “Time fades away”. It was the follow up to the smash hit album “Harvest” from the year before. But as always with Neil he did not pick the easy path and followed “Harvest” up with a similar album. Instead he offered a live album with eight unreleased songs. They were premiered during the Neil Young and the Stray Gators tour following “Harvest”. I have always found “Time fades away” a curiosity more than great. Yeah man, I love it but the songs are somewhat abrasive. Now Neil has released another live-album from the same tour.
Continue reading “Neil Young – Tuscaloosa (2019)”
Poison in the tail
Opeth continue to surprise and amaze me. The new album is yet another step in their evolution. It is not the first step, but it is a step. This album brings some new stuff to the table. It is like a rock opera from the deep dark wilderness in Sweden. It’s progressive rock with influences of folk, classical, jazz, Gregorian chants and even a fragment of country music like an audio mosaic. When you immerse yourself in the music without listening to the lyrics you get a feeling of a story about children in a dark world with trolls and evil, and an absent god.
Continue reading “Opeth – In Cauda Venenum (2019)”