Hair red as blood
“Freedom” was the last album of the eighties and it became Neil’s true come-back album. It was also the start of a string of fantastic albums. The whole nineties was very good actually, almost a challenger to his seventies. A second golden era, one could say.
Continue reading “Neil Young – Freedom (1989)”
Got mashed potatoes
“Reactor” is a true Crazy Horse album but as such it is a little off, a little jarring. As the second studio album of the eighties it continues the road towards the most strange Neil records of all time. This record feels a little bit edgy, metallic, less warm, it’s an industrial feeling. You can also hear some signs of the development that will lead to the next album “Trans”… Machines at work in the background.
Continue reading “Neil Young – Re*ac*tor (1981)”
“Trespass”, Genesis second album, is one of those albums were the cover art draws you in. I love the blue cover. It’s from a fantastical world; a king, a queen, a balcony with domed windows, an angel, the devil and a knife.
Continue reading “Genesis – Trespass (1970)”
Charlotte Pringle’s due
“Is it avant-garde?” principal Snyder asked at the end of the episode “The Puppet Show” and I could say the same. Is it avant-garde?
The album “Atom heart mother” is the last album before Pink Floyd “arrived”. By the next release they would forever be among the greatest bands in history.
But here in 1970 they were still honing their skills. Their previous album “Ummagumma” was built on some great ideas that didn’t translate to the black gold. The result was really not that good. It was more psychedelic than melodic. “Atom heart mother” suffers from the same, but it is a giant leap forward and they are close to “getting there”.
Continue reading “Pink Floyd – Atom heart mother (1970)”
Down from the Misty Mountains
Neil didn’t make a sequel to his smash hit album “Harvest” until 1978. He has said he didn’t want to travel in the middle of the road, he headed for the ditch. He met more interesting people there he said. After some dark times, grieving dead friends, and a lot of guitar-based Crazy Horse sessions he finally went for the lovely and harmonious country rock that made “Harvest” what it is.
Continue reading “Neil Young – Comes a time (1978)”
Even goth rockers get old
The Cure celebrated 40 years as a recording band in 2018. Two celebratory shows from the summer of ’18 are now released in a deluxe box set with 4 CDs and 2 Blu-rays and a total of 57 tracks. Ok, it is not vinyl, but I love those super deluxe editions!
Continue reading “The Cure – 40 Live (2019)”
Waiting for Ragged Glory
This is a way too early album review of Neil’s new album “Colorado”.
Earlier this year news came from Neil Young’s excellent web site that he was going to re-release and expand the 1990 album “Ragged glory” including 40 minutes of unreleased material. A double LP of studio material from the session that brought us one of Neil’s very best albums. I was ecstatic. But we seasoned fans of Neil Young are used to waiting and thus, we are still waiting.
Continue reading “Neil Young – Colorado (2019)”
So, where were the Spiders?
“Ziggy Stardust and the Spiders from Mars” is a documentary and concert film by D. A. Pennebaker that covers the last concert of the Ziggy era. It was the show where Bowie famously “retired”…
“Of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it’s the last show that we’ll ever do. Thank you.”
Continue reading “David Bowie – Ziggy Stardust: The Motion Picture (1983)”
Don’t bring me down
I really dislike this album. Bowie at the height of his powers and he wastes it on a useless covers-album? It is so boring. Bowie wanted to celebrate the bands he listened to in the sixties. Maybe if you were around at the time you could appreciate it more, or if you like the music from the era very much. I am not one of those.
Continue reading “David Bowie – Pin ups (1973)”
Give me that little kiss
The album starts off with some bells in the distance. Knowing that David Gilmour is playing on two of the tracks gives me high hopes that this album will be influenced by his Pink Floyd. It isn’t, instead we get a too heavily produced album, her weakest album so far quite clearly. Have we come to Kate’s “Phil Collins” years maybe? To me, it feels less interesting musically and production-wise than the first five albums at least.
Continue reading “Kate Bush – The sensual world (1989)”