Parlophone has released a limited edition of 6000 copies of a vinyl EP called “Is it any wonder?”. Well I am not surprised. They are milking the cow. Hopefully they would answer the question of the title with a roaring YES, but I don’t know, did they? Did they?
I find it funny that there seems to be so much prestige in which incarnation of Floyd we fans love the most. Many pretentious fans love Syd’s Floyd but that is not me. Of course, I came in late, in the early eighties, and I have always enjoyed David’s singing and his heavenly guitar playing. I guess if you were there at the time, in the middle of the sixties, and followed the band when it started it would have been something else. Syd was the musical and artistic leader of the band back then. Already during the development of the second album they transformed into a five-piece and then to a quartet again, now with less Syd but a Dave added. Syd burnt out like in the song by Neil Young.
Continue reading “Pink Floyd – The piper of the gates of dawn (1967)”
How many releases from the “Space oddity” demos era can there be? This is getting absurd!
The Bowie estate has run amok with this. During 2019, celebrating 50 years since these recordings, they have released three super expensive vinyl things and one slightly less expensive 5-CD box. There has been a 4-vinyl singles box, a 3-vinyl singles box and one vinyl LP box with fancy packaging. I don’t care for singles, it is only a mess to change the speed on the turntable, and I thought the “The ‘Mercury’ demos” box was way too expensive. But I also have this OCD, I am a compulsive collector, and in the end, I needed to have it.
This is a way too early album review of Neil’s new album “Colorado”.
Earlier this year news came from Neil Young’s excellent web site that he was going to re-release and expand the 1990 album “Ragged glory” including 40 minutes of unreleased material. A double LP of studio material from the session that brought us one of Neil’s very best albums. I was ecstatic. But we seasoned fans of Neil Young are used to waiting and thus, we are still waiting.
Opeth continue to surprise and amaze me. The new album is yet another step in their evolution. It is not the first step, but it is a step. This album brings some new stuff to the table. It is like a rock opera from the deep dark wilderness in Sweden. It’s progressive rock with influences of folk, classical, jazz, Gregorian chants and even a fragment of country music like an audio mosaic. When you immerse yourself in the music without listening to the lyrics you get a feeling of a story about children in a dark world with trolls and evil, and an absent god.
Apparently, I am a fan of death metal now. Who would have known? Not me.
One sunny day my dear friend Johan came to me bringing a gift. It was the Opeth album “Ghost Reveries” on a glorious but ominous black vinyl. I was delighted by the gift, but also somewhat bewildered by the choice of music. Death metal? With all the death growls and the insane drums bpm? Clearly this was not my forte.
“Re:Call 1” is a double album of b-sdies and “odds and ends” from the “Five years 1969-1973” mega-box era. Let’s see if we can find any interesting pieces here!
Bowies “Ziggy Stardust”-tour started in Aylesbury in January 1972 and ended in London in July 1973. At the end of the tour the shows included several songs from the recently released “Aladdin Sane” but during 1972 the shows showcased many older songs, including several from the 1971 album “Hunky Dory”. “Live Santa Monica ‘72” is recorded in October ’72 and part of the “early phase”. So how does this album do?
Continue reading “David Bowie – Live Santa Monica ’72 (2008)”
“Ziggy Stardust and the Spiders from Mars” is a documentary and concert film by D. A. Pennebaker that covers the last concert of the Ziggy era. It was the show where Bowie famously “retired”…
“Of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it’s the last show that we’ll ever do. Thank you.”
Continue reading “David Bowie – Ziggy Stardust: The Motion Picture (1983)”
I really dislike this album. Bowie at the height of his powers and he wastes it on a useless covers-album? It is so boring. Bowie wanted to celebrate the bands he listened to in the sixties. Maybe if you were around at the time you could appreciate it more, or if you like the music from the era very much. I am not one of those.
