Melting in my hand
Kate Bush is never still, she has previously done concept albums, “The Hounds of Love” and “Aerial”, and now she has somewhat surprising turned a corner again. Gone are the 4-minute pop songs from her earliest phase. Albeit high class, they are still pop songs. “50 words for snow” includes influences from classical music like renaissance choir music and experimental jazz, and it has long complex songs that make me think about the seventies progressive rock bands like Pink Floyd and Genesis. How exciting!
Continue reading “Kate Bush – 50 words for snow (2011)”
I can’t stop thinking
A whole album with remixed or re-recorded songs from two previous albums? Well, I guess it could have been great, but this album is somewhat disappointing to me in the end anyway. As it is a re-mix album, it doesn’t feel like a full, or worthy, album to me.
Continue reading “Kate Bush – Director’s cut (2011)”
And a diamond sky
Damn, what a relief! Already the first song and I feel calm. The opening song “King of the mountain” is majestic, and I feel it in my bones that this album is superior to the last two efforts. The feeling is totally different. Twelve years of waiting, the previous studio album “The red shoes” came out in 1993, but now Kate is back in more ways than one.
Continue reading “Kate Bush – Aerial (2005)”
Don’t want your bullshit
Inspired by the movie “The red shoes” by British masters Powell & Pressburger this album was the last in many years to come. The album is quite nice, sort of “okeyish”, but it lack her distinct signature mark from the first four albums. I get the same feeling from this album as from “The sensual world”, something that is over-produced and “too polished”. Sure, Kate is playing with different types of instruments and vocals, and that may be fun for some, but it feels too stuffed to me.
Continue reading “Kate Bush – The red shoes (1993)”
Slippin’ and slidin’
This is such a diverse album with a range of different styles, yet it feels very cohesive. It is the strangest thing. Cohesion via diversity? It all connects in a beautiful way. All the songs feel like they belong. Almost all anyway…
Continue reading “Neil Young – Harvest (1972)”
Purple words on a grey background
This is the very first Performance Series to see the light of day. It was released back in 2006, and it’s a glorious vinyl record. Neil and Crazy Horse live at Fillmore East, New York, in March 1970. Neil is joined by the second line-up of Crazy Horse with Danny Whitten, Billy Talbot, Ralph Molina and added Jack Nitzsche on piano. This brief early 1970 tour was the last tour with Danny Whitten who tragically died in 1972.
Continue reading “Neil Young – Live at the Fillmore East (2006)”
Thinkin’ about what a friend had said
So, with “After the gold rush” the ever-changing nature of Neil’s is on display. It’s a journey with Neil. If Bowie was like a chameleon adapting to the new trends quickly, Neil is like a volcano, sometimes calm and soothing (acoustic and country), sometimes violent and loud (the Godfather of grunge).
Continue reading “Neil Young – After the goldrush (1970)”